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Jörgen Broström

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Photography

The Divine Proportion: Mastering the Golden Ratio

Posted on August 4, 2026July 28, 2026 by Jörgen Broström

The difference between a snapshot and a masterpiece often lies in hidden geometry. While the Rule of Thirds is the aperture through which most novices view the world, seasoned photographers eventually graduate to a more ancient, sophisticated framework: the Golden Ratio. Known also as the Fibonacci Spiral or the “Divine Proportion,” this mathematical ratio of 1.618 to 1 has governed…

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Through the Looking Glass: The Battle for the Photographer’s Eye

Posted on July 24, 2026July 20, 2026 by Jörgen Broström

In the transition from analogue to digital, few debates rouse as much passion as the interface between the photographer’s eye and the sensor. For decades, the Optical Viewfinder (OVF) was the undisputed king, a hallmark of the DSLR era. Today, the Electronic Viewfinder (EVF)—once a pixelated, lagging nuisance—has become the standard-bearer for the mirrorless revolution. As professional systems…

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The Alchemy of Delibertation: Why Your Next Professional Pivot Should Be Analog

Posted on July 17, 2026July 14, 2026 by Jörgen Broström

In the hyper-saturated landscape of modern photography, we have become victims of our own efficiency. We carry mirrorless behemoths capable of thirty frames per second, backed by eye-tracking autofocus that borders on the clairvoyant. Yet, as our hard drives groan under the weight of 40,000 unorganized RAW files, a quiet exhaustion has set in: Digital Fatigue….

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The Slow Down: Why I’m Still Tucking a Roll of Film Into My Pocket

Posted on July 9, 2026 by Jörgen Broström

Digital is easy. Digital is fast. But if I’m honest? Digital is often a bit… sterile. We live in a world where we can snap 500 photos of our lunch and delete 499 of them without a second thought. But there’s a reason why so many of us are heading back to the darkroom, or…

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The best camera is the one you have with you.

“The Best Camera Is the One You Have With You.” – Chase Jarvis

Posted on September 2, 2025August 4, 2025 by Jörgen Broström

At first, this quote might sound like a concession – like a polite way of saying “Just do your best with what you’ve got.” But in truth, this line from Chase Jarvis is a rallying cry for creativity over gear obsession. It reminds us that photography isn’t about what’s in your hand – it’s about…

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“A Portrait Is Not Made in the Camera but on Either Side of It.” – Edward Steichen

Posted on August 25, 2025August 4, 2025 by Jörgen Broström

This quote by Edward Steichen is a masterclass in a single sentence. It reminds us that a portrait is never just about gear, lighting, or technical perfection – it’s about connection. Steichen, one of the pioneers of modern portrait photography, knew that the soul of a portrait comes from what happens between two people: the…

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Mastering TTL Metering: What It Is and How It Works in Photography

Posted on August 17, 2025August 4, 2025 by Jörgen Broström

If you’ve ever wondered how your camera knows how to expose a scene properly, the answer often lies in a system called TTL metering, short for Through-The-Lens metering. This smart exposure system plays a crucial role in both natural light and flash photography. Understanding TTL metering will help you take more control of your images…

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“If Your Pictures Aren’t Good Enough, You’re Not Close Enough.” – Robert Capa

Posted on August 9, 2025August 4, 2025 by Jörgen Broström

Robert Capa wasn’t just speaking about physical distance when he said this – though that’s certainly part of it. He was urging photographers to go deeper, closer, and more personal with their work. Known for his frontline war photography, Capa understood that the most compelling images aren’t shot from the sidelines. They’re captured when the…

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The Rule of Odds: Why Odd Numbers Make for Stronger Compositions

Posted on August 1, 2025June 17, 2025 by Jörgen Broström

In photography, composition is everything – and one surprisingly effective technique is the Rule of Odds. This simple principle suggests that images with an odd number of elements (typically 3, 5, or 7) are more visually engaging and natural to the viewer’s eye than those with even numbers. But why does this work, and how…

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